Thursday, April 2, 2015

E.E. Cummings AKA e e cummings

E. E. Cummings AKA e e cummings

Background

E. E. Cummings was actually born Edward Estlin Cummings to Edward Cummings and Rebecca Clarke. Both of his parents and their Unitarian views shaped his early life, however it was his mother that had the most impact on young Edward. When he was a little child, Rebecca would read poems and literature to him, often reminding him that the most important part of reading was feeling an emotion from the story. After high school, he continued his love of reading and poetry by going to Harvard to study literature. After graduating from Harvard, he traveled to Europe to aid in the fight in WWI. However, he was notoriously anti-war, and repeatedly spoke out against the war efforts. These opinions would land him in trouble as he was sent to prison in France for espionage. While in prison for espionage, Cummings learned much about humanity. The ordeal influenced him so much that he would go on to write a book, The Enormous Room, about his experience. He then came back to the United States and started to create many of his poems. He also met his first wife and mother of his only child, Elaine Orr. However, they divorced only 9 months after their marriage. After going through that process again, Cummings finally found Marion Morehouse, and although they were never officially married, she lived with Cummings for 30 years until his death.

Influences


Cummings' first job was as an apprentice to a book seller. At that job he got to experience all of the different variations on the English language. It was at this job that he was first exposed to the foregoing of the traditional syntax of English. This idea of foregoing the syntax is something that we see in all of Cummings' writings. His next major influence occurred when he was captured as a POW in France. He later writes his most popular book, The Enormous Room, based around the time in the POW camp. Another influence on his life and in turn his poems was his trip to the Soviet Union. Cummings entered the Union without any real government opinions, and left shifted to the right. For the rest of his life, he was a Republican, and this support shows in his writings. Finally, the last major influence on his writings is the car accident that killed his father and left his mother in critical condition. After the accident, Cummings began to write more about what he believed were the key ideas of living. This style of writing pervaded his poems until he passed away.

Notable Works/Writing Style


Some of E. E. Cummings' most famous works are not even poems at all. He was a talented playwright as well as a painter. He painted many portraits, still lifes, and abstracts, some of which are professionally acclaimed. His plays include Santa Claus: A Morality, which is now his most successful play. However, it is true that his most famous works are his writings. He wrote over 2,900 poems in his life, and because of that staggering volume, he has multiple anthologies. He writes with blatent disregard for syntax and grammar, often choosing instead to order his words to form a shape or pattern. Just because he ignored syntax for his poems does not mean that he did not have a mastery over it, however. In his autobiography about his life and the war, The Enormous Room, he clearly displays that he knows the syntax. Perhaps this makes his writing style even more unique and creative, because he had to knowingly create a new vernacular.

 

What Cummings Left Behind


E. E. Cummings left the world as a hero to the counterculture followers. He was a rebel both ideologically and as a writer. He was one of the first antiwar supporters as well as a writer who used a lack of syntax to aid in the displaying of whatever message he was trying to convey. His emotions showed through his work, and that made his work even more powerful for those reading it. He inspired writers and poets in not only the 20th century, but even in modern times. It is in the legacy of giving inspiration to authors for generations to come that E. E. Cummings has become truly immortal.


Love is more thicker than forget


Love is more thicker than forget 

more thinner than recall 
more seldom than a wave is wet 
more frequent than to fail 

It's most mad and moonly 
and less it shall unbe 
than all the sea which only 
is deeper than the sea 

Love is more always than to win
less never than alive 
less bigger than the least begin 
less litter than forgive 

It's most sane and sunly 
and more it cannot die 
than all the sky which only 
is higher than the sky


Audio of poem can be found at:

http://www.poetryfoundation.org/features/audioitem/2248

Works Cited

"E.E. Cummings." Bio. A&E Television Networks, 2015. Web. 29 Mar. 2015.
Cummings, Edward.
'Edward Estlin Cummings - Edward Estlin Cummings Biography - Poem Hunter'. Poemhunter.com. N.p., 2015. Web. 30 Mar. 2015.
Terblanche, Etienne (July 25, 2012). "E. E. Cummings: Poet And Painter". New York: Rodopi. pp. 141–186. ISBN 9042035412.
Poetryfoundation.org,. '[Love Is More Thicker Than Forget] / Poem Of The Day : The Poetry Foundation'. N.p., 2015. Web. 2 Apr. 2015.
Harvardmagazine.com,. 'The Rebellion Of E.E. Cummings | Harvard Magazine Mar-Apr 2005'. N.p., 2015. Web. 2 Apr. 2015.

My Papa’s Waltz


BY THEODORE ROETHKE
The whiskey on your breath   
Could make a small boy dizzy;   
But I hung on like death:   
Such waltzing was not easy.

We romped until the pans   
Slid from the kitchen shelf;   
My mother’s countenance   
Could not unfrown itself.

The hand that held my wrist   
Was battered on one knuckle;   
At every step you missed
My right ear scraped a buckle.

You beat time on my head   
With a palm caked hard by dirt,   
Then waltzed me off to bed   
Still clinging to your shirt.

Theodore Roethke, “My Papa’s Waltz” from Collected Poems of Theodore Roethke. Copyright 1942 by Hearst Magazines, Inc. Reprinted with the permission of Doubleday, a division of Random House, Inc.

Source: The Collected Poems of Theodore Roethke (1961)





Listen to some beautiful waltz music and see how this may fit with the poem.



Read, and analyze this poem.  Remember to take it stanza by stanza, line by line and focus on the diction, imagery, figurative language, the tone and theme(s).  What are your impressions of this poem?  How do you read it?  Please refrain from looking at outside sources; we will examine some of them later.  Remember that these analyses are a form of formal writing and should be treated as such.  Keep up the good work!

Don't Forget to Forget

Maya Angelou: The Face of Resilience


Maya Angelou: The Face of Resilience
The renowned Maya Angelou was a fantastic woman who inspired thousands of people with her outstanding work. Extremely multi-talented, Angelou was an actress, dancer, singer, screenwriter, poet, author, and civil rights activist. Though falling upon many hard times as a young women, she has used her experiences to write an abundance of acclaimed literature, most notably, I Know Why the Caged Bird Sings.  

Photo courtesy of http://www.brainpickings.org/2014/05/29/maya-angelou-on-identity-and-the-meaning-of-life/
Early Life
Marguerite Annie Johnson, known to us as Maya Angelou, was born on April 4, 1928 in St. Louis, Missouri. Young Johnson dealt with innumerable difficulties as a child, beginning at age seven, when her parents separated and she was sent to live with her grandmother, Anne Henderson, in Arkansas. As an African American in the 1930s, Johnson dealt with racial prejudice for the entirety of her childhood. This, however, was far from the worst struggle she would face. Around the age of seven, Johnson was raped by her mother’s boyfriend. As vengeance for this disgusting act, Johnson’s uncles killed the boyfriend. Johnson was so immensely traumatized by this experience, she stopped talking for a period of time and became a virtual mute.
Years later, during World War II, Johnson won a scholarship to study theater and dance at the California Labor School in San Francisco. At the age of 16, however, she had a son, Guy, the result of a high school romance.
In 1952, she married a greek sailor, Anastasios Angelopulos. From his last name, she created the surname Angelou and used her childhood nickname, Maya, to form her professional name, Maya Angelou.
Career and Works
Her career began in the 1950s, when she took on roles in the off-Broadway productions of Porgy and Bess, Calypso Heat Wave, and The Blacks. In the late 1960s, she traveled to Egypt and Ghana as an independent writer and editor, and took a job at the University of Ghana. Upon her return to the States, Angelou was encouraged by her personal friend and literary icon, James Baldwin, to write about her life experiences. This is resulted in “the enormously successful 1969 memoir about her childhood and young adult years, I Know Why the Caged Bird Sings, which made literary history as the first nonfiction best-seller by an African-American woman" (Bio.com).
In addition to Caged Birds, Angelou wrote many more inspirational works. These include the 1972 drama, Georgia, Georgia, which became the first screenplay produced by an African American woman. Angelou also wrote two more wonderful autobiographies, All God’s Children Need Traveling Shoes and A Song Flung Up to Heaven. She produced many acclaimed poetry collections, the most famous being Just Give Me a Cool Drink of Water ‘Fore I Diiie, which was nominated for a Pulitzer Prize. This collection contained many famous poems, including “On the Pulse of Morning”, which she read at President Bill Clinton’s 1993 Inauguration, and “Still I Rise”. Some of Angelou’s most inspirational works were her essay collections, 1994’s Wouldn’t Take Nothing for My Journey Now and her 2008 essay on advice for young women, Letter to My Daughter. For these works and more, Angelou won multiple awards, including Tony and Emmy nominations, and a Grammy for best spoken word album for the audio version of “On the Pulse of Morning”. Additionally, she has won two NAACP Image Awards in the outstanding literary work category for her 2005 cookbook and Letter to My Daughter.
Angelou’s work was influenced by the challenges she dealt with in her early life, from racism to raising a child. Her work was also influenced by other famous authors and poets, including William Shakespeare, Edgar Allen Poe, Zora Neale Hurston, and Charles Dickens. In addition, she was close personal friends with fellow activist, Dr. Martin Luther King Jr. and his wife, Coretta Scott King.
The lovely Maya Angelou died on May 28, 2014, but her spirit lives on in all the lives of those she has touched. Angelou not only influenced young African American women everywhere with the powerful message of her work, but also left a lasting impression on anyone who read her beautiful literature. She inspired many prominent members of society, including Mary J. Blige, Cory Booker, President Bill Clinton, and President Barack Obama. She was, as President Obama eloquently stated, “a brilliant writer, a fierce friend, and a truly phenomenal woman...[who] had the ability to remind us that we are all God's children; that we all have something to offer”.



Video about the life of Angelou: http://myfox8.com/2014/05/28/maya-angelou-dead-at-86/

Still I Rise 
By Maya Angelou  


You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.


Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.


Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.


Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.


You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.


Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?


Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.


Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Audio Recording of Angelou reciting this wonderful poem:
If you want to know even more about Maya Angelou, here are some links for further reading:
http://www.poemhunter.com/maya-angelou/

And, if you liked what you've read so far, check out my analysis of "Still I Rise", embedded below and in the comments! 



Works Cited
"I Know Why the Caged Bird Sings." 60 Second Recap. N.p., n.d. Web. 28 Mar. 2015. <http://www.60secondrecap.com/wp-content/uploads/2013/05/i-know-why-the-caged-bird-sings1.jpg>.
"Just Give Me a Cool Drink of Water 'Fore I Diie Cover." Wikimedia.org. N.p., n.d. Web. 28 Mar. 2015. <http://upload.wikimedia.org/Wikipedia/en/9/9e/Just_Give_Me_a_Cool_Drink_of_Water_'Fore_I_Diiie_cover.jpg>.
A Letter To My Daughter Cover. Amazon.com. N.p., n.d. Web. 28 Mar. 2015. <http://ecx.images-amazon.com/images/I/51Tz2Q7PHlL.jpg>.
Maya Angelou. Academy of Achievement. Academy of Achievement, n.d. Web. 28 Mar. 2015. <http://www.achievement.org/autodoc/pagegen/citation.html>.
"Maya Angelou." Bio. A&E, n.d. Web. 28 Mar. 2015. <http://www.biography.com/people/maya-angelou-9185388>.
Maya Angelou. Women's Council. N.p., n.d. Web. 28 Mar. 2015. <http://www.womenscouncil.org/cd_web/images/Angelou.jpg>.
Maya Angelou quote. Oprah.com. N.p., n.d. Web. 28 Mar. 2015. <http://static.oprah.com/images/201303/orig/quotes-maya-angelou-1-600x411.jpg>.
Quote. Tumblr. N.p., n.d. Web. 28 Mar. 2015. <http://37.media.tumblr.com/04dad78e4907bdfc39bab304c18834ba/tumblr_mo0i0xQQ2q1qaobbko1_400.jpg>.
Quote. Tumblr. N.p., n.d. Web. 28 Mar. 2015. <http://41.media.tumblr.com/52542cb210d59f9a12deb643b8728298/tumblr_n1b96jNN6p1sjap36o1_500.jpg>.
"Still I Rise." Poets.org. Academy of American Poets, n.d. Web. 28 Mar. 2015. <http://www.poets.org/poetsorg/poem/still-i-rise>.
Young Maya Angelou. The Empower Magazine. Empower Magazine, n.d. Web. 28 Mar. 2015. <http://www.theempowermag.com/wp-content/uploads/2014/05/article-2337037-1A2F6055000005DC-844_306x620.jpg>.

Wednesday, April 1, 2015

Emily Dickinson by: Phoebe Christos (*C BLOCK!*)

Phoebe Christos
Mr. Dilworth
C Block Introduction to Literature
4/2/15


Biography


Emily Dickinson is considered to be one of the most influential and talented poets in American literature. Dickinson was born on December 10, 1830 in Amherst, Massachusetts to Edward and Emily Dickinson. Edward was a successful, young lawyer in Amherst. Edward was also an active member of the Whig party, and he was elected to the Massachusetts State Legislature (1837-1839) and the Massachusetts State Senate (1842-1843). Also, between 1852 and 1855, Edward served a single term as a representative from Massachusetts to the U.S. Congress. Emily had an older brother, Austin, who was one and a half years her senior. Austin became a successful lawyer who was a part of Edward's practice. Emily also had a younger sister, Lavinia, who lived at home with Dickinson and therefore was her close companion. The Dickinson's lived on their homestead, which had been built by Emily's grandfather, Samuel Dickinson, in 1813.
Found at https://flavorwire.files.wordpress.com/2013/07/5420153921_5a3b8f3dc3_z.jpg
Above is a photograph of the Dickinson's home- where Emily spent the majority of her life.

Emily attended Amherst Academy for seven years before she went on to college. She loved all aspects of school and she studied great range of material at Amherst, including college lectures in all the principal subjects— astronomy, botany, chemistry, geology, mathematics, natural history, natural philosophy, and zoology. Yet, Dickinson quickly developed a passion for poetry. 
Found at https://www.emilydickinsonmuseum.org/ed/files/about_emily/ed_indepth/AmherstAcademy.jpg
Above you can see a photo of Amherst Academy (now Amherst College), which greatly contributed to Emily's love for learning and poetry.

At age 15, Dickinson left for Mount Holyoke Female Seminary in South Hadley, in order to complete additional years of formal education, as was traditional at the time. 
Found at https://www.emilydickinsonmuseum.org/ed/files/about_emily/ed_indepth/mtholyoke.jpg 
Above is an image of Mount Holyoke Female Seminary, at which Emily only spent a mere one year. 

However, Emily stayed at Mount Holyoke for only one year. The exact reason as to why she suddenly dropped out of school is unknown. Yet, historians believe it was due to her fragile emotional state. Emily suffered from conditions such as agoraphobia, depression, and/or anxiety. Dickinson was also prone to contracting physical illness which was most likely another major factor as to why she decided to stop attending her formal education. Dickinson instead opted to live a tranquil lifestyle on her homestead, which rarely hosted visitors. Throughout this time, Emily filled entire notebooks with poetry and wrote hundreds of letters.
Found at http://www.downtownmagazinenyc.com/poets-house-exhibits-rare-collection-of-emily-dickinson-manuscripts/
Above is a photograph of two of Emily's Manuscripts.

Despite the lack of visitors, Emily Dickinson's poetry was highly influenced by numerous external forces. Leonard Humphrey, the principal of Amherst Academy, inspired some of her works as he was her first "Master". Benjamin Franklin Newton, a family friend of the Dickinson's, introduced Emily to the poetry of William Wordsworth. Dickinson also loved Shakespeare's work. Emily thoroughly enjoyed both reading and writing poetry which further displays her keen passion for poetry.

Dickinson's poetic talent was not recognized until after her death on May 15, 1886 in Amherst, Massachusetts, when her work was published. Her family found 1,800 poems that were conserved into forty hand-bound volumes (otherwise referred to as fascicles). Her original poems displayed various dash-like markings that varied in length and direction (some were vertical while others were horizontal). 
Found at https://poetseye.files.wordpress.com/2011/06/emilydickinsonhandwriting.jpg
Above is a sample of Emily Dickinson's handwriting, in which you can see her excessive use of dashes.
Primarily, only a small portion of Dickinson's work was published. This portion had been heavily altered and edited, using traditional punctuation instead of Emily's unique use of dashes, and therefore it depleted her individual poetic style. However, currently, the standard form of her poems replace her dash-like markings with en-dashes which are a far better representation of Dickinson's original intentions. However, her dash-like markings are not the only piece that set her apart from other poets of her time. Dickinson utilized a unique form of syntax as well. Dickinson's bold techniques and her way of seamlessly breaking down previously set poetic limitations make her one of the most influential poets of all time.
Images in the above collage made by Phoebe Christos were found at the following links:
https://www.emilydickinsonmuseum.org/ed/files/homepage_photos/emily-dickinson.jpg
http://upload.wikimedia.org/wikipedia/commons/c/cb/Emily_Dickinson_daguerreotype.jpg
http://alphabetroadtrip.typepad.com/.a/6a011570334453970b01761761c1a5970c-pi
http://www.quoteslo.com/wp-content/uploads/2014/12/emily-dickinson-quote.jpg

Some Interesting Videos from External Sources to watch for further information about Emily Dickinson:


"Emily Dickinson: The Poet in her Bedroom." 


"The Secret Life of Emily Dickinson"


one last video...

"Entitled Opinions - A Conversation on Emily Dickinson" (conversation becomes relevant around 6:10)


My Prezi:



The Poem I Have Chosen to Analyze:

After great pain, a formal feeling comes

"After great pain, a formal feeling comes –
The Nerves sit ceremonious, like Tombs –
The stiff Heart questions ‘was it He, that bore,’
And ‘Yesterday, or Centuries before’?

The Feet, mechanical, go round –
A Wooden way
Of Ground, or Air, or Ought –
Regardless grown,
A Quartz contentment, like a stone –

This is the Hour of Lead –
Remembered, if outlived,
As Freezing persons, recollect the Snow –
First – Chill – then Stupor – then the letting go –"
*See comments section for analysis*

Reading of "After great pain, a formal feeling comes"

Works Cited

Dickinson, Emily. “After great pain, a formal feeling comes.” Poetry Foundation. Poetry Foundation, n.d. Web. 1 Apr. 2015. .
“Emily Dickinson.” Bio. N.p., n.d. Web. 1 Apr. 2015. .
“Emily Dickinson.” Poetry Foundation. N.p., n.d. Web. 1 Apr. 2015. .
“Emily Dickinson.” Poets.org. N.p., n.d. Web. 1 Apr. 2015. .















Theodore Roethke

Lindsay Barber
F Block English
Mr. Dilworth

            Theodore Roethke (1908-1963), was a great American poet who was born and raised in Saginaw, Michigan.  He lived in a close-knit family who emigrated from Germany.  Roethke's father owned and ran a 25-acre greenhouse that Roethke grew to love, as it inspired many of his writings and poetry.  While a teenager in high school, writing became very appealing to him, culminating in the writing of a Red Cross campaign that was translated into 26 different languages. Toward the end of his freshman year, Roethke's father passed away and as a domino effect, his uncle committed suicide.  These events caused him to suffer from severe abandonment issues, depression, and social anxieties.  Ultimately, he had a much deeper and complex understanding of life than most other 14-year-old boys. 
1
            

Once Theodore Roethke graduated high school, he continued his education at the University of Michigan, where he earned Bachelor and Masters of Arts degrees.  During his early college years, he developed a fascination with gangsters and incorporated them into his writings.  Once graduated, he attended Harvard Law School where he studied with a fellow poet, Robert Hillyer.  Here they were able to exchange ideas and writing techniques to further improve both writers and upcoming poets.  Unfortunately, Roethke was forced to drop out of law school due to the economic hardships brought on by the Great Depression. During this time, he was able to concentrate fully on his poetry and began to draft a book.  Open House was finally published in 1941 after ten hard years of work. The great poet, T.S Eliot, inspired this writing.  However, the sales of his book did not fully allow him to escape his great amount of debt.  As time went on, he was able to publish more books and poetry, each time his reputation grew.  In one literary collection, The Waking, he was awarded the Pulitzer Prize in 1954.
            
Today, he is remembered as an exceptional poet and has a house museum created by the Friends of Theodore Roethke Foundation.  This non-profit organization is dedicated to preserving the life and works of Theodore for educational and cultural purposes.  In 2004, The Roethke House was designated as a National Literary Landmark.  Roethke had an astonishing impact on American poetry that was strongly influenced by his home, family dynamics, and nature.  In this museum, they focus on education and expanding the Theodore's unique writing styles.  They hold writing workshops, oral history projects, poetry readings, and lessons on local history.  Due to the hard work of the Friends of Theodore Roethke Foundation, his legacy will carry on and continue to influence American works of literature.  

Reading:

Poem:
I saw a young snake glide
Out of the mottled shade
And hang, limp on a stone:
A thin mouth, and a tongue
Stayed, in the still air.

It turned; it drew away;
Its shadow bent in half;
It quickened and was gone

I felt my slow blood warm.
I longed to be that thing.
The pure, sensuous form.

And I may be, some time. 
Comment:)
            The poet feels a longing to be the snake because it possesses qualities that he wants himself.  Because Roethke suffered from depression and social anxiety; the snake was symbolic of his need to "glide out of the mottled shade" (Roethke, lines 1-2) out of a patch of dark light that the shade represents.  The snake is clearly not afraid when it "hangs, limp on a stone" (Roethke, line 3) making it vulnerable to nature.  The last stanza demonstrates the connection that both beings had. Roethke is able to recognize how he still has the time and capability to shed his outer skin.  It is important for one to feel comfortable in one’s own skin and not fall susceptible to the discouragement of others, as Roethke did.  It may lead to a lifetime of regret, and becoming envious of others for having the courage to not hide in the shadows.